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Few cars have revolutionized the automotive industry like the Ford Model T did. Besides being the first affordable vehicle, the “Tin Lizzie” is also known for its devilishly efficient mass assembly process, enabling Ford to build 15 million units in 19 years. Granted, it had a fairly simple design, but the rate at which workers were able to build one is amazing even today. The video we found shows how the front axle is built and attached to the frame. Hit the jump to watch the clip.

You may not know the name Timur Bekmambetov, but you would surely have seen Wanted: that over-the-top movie with Angelina Jolie, Morgan Freeman and that guy from Atonement. That was him.

He also made two really cool Russian language urban sci-fi / horror movies called Night Watch and Day Watch, the first of which made more money in its homeland than the first three Lord of the Rings movies put together. So when Mr. B releases a new movie, I’m there. His latest effort is Black Lightning, which is a superhero origin story. Spoilers ahead...

Dima is a university student with a problem. He has a massive crush on the new girl, Nastya, but no money and no car. His well-meaning Dad gives Dima his old Volga and encourages him to get a job. The job Dima eventually finds its delivering fresh flowers for an over-demanding boss.

Sounds pretty ordinary so far, huh? Well, get this: the Volga is a Soviet Era flying car, powered by a very unique power source that the big bad needs to power his top secret mining laser (yes, the villain in this movie is a capitalist!). The bad finds out about Dima’s Volga and his henchmen end up murdering the boy’s father. Dima responds by becoming a sort of superhero and national icon, using his flying car to save lives and fight crime.

Meanwhile, the bad guys are closing in and soon Dima is forced to fight for his life – and the lives of all of Moscow. Black Lightning is the sort of superhero movie Hollywood hardly makes any more. It’s silly, but not too silly and has the right mix of gravitas and humour to keep you humming on.

It’s not high art, but it’s well made, and the acting and special effects are what we’ve come to expect from Bekmambetov over the years. The cast is great, especially Viktor Verzhbitskiy as the villain. He’s worked with this director before, and always manages to have that slimy menace that Lex Luthor-esque movie villains so richly deserve.

The film should be readily available to rent and buy, albeit only with subtitles, and you can check out the (subbed) trailer below.

It’s no secret that I’m a dyed-in-the-wool Mustang man. Though I acknowledge the gorgeous styling, sweet-as-syrup handling and raw power of cars like the Chevy Camaro, I know at heart I’d take a ’67 Mustang fastback over one of them any day.

So when the chaps and chapettes at the Mustang Klub Polska (Polish Mustang Club) release a video that not only features a dozen great Mustangs but also the cinematography to do these cars justice, you know I’m gonna pounce on this quicker than the news pounces on any story about Lindsay Lohan.

There are so many Mustangs in this vid, it’s hard to keep track of them all, but you’ll surely pick out the 2008 Mustang Bullitt, Dark Highland Green ’67 GT Fastback, red ‘65 convertible with the white top, a handful of 2010 Shelby GT500 Super Snakes and countless others including a few Foose Mustangs and a handful of Gen 4’s.

It’s a Mustang orgy. It’s like Adam West dropping the ‘66 Batmobile off at your house. It’s like Hollywood making a movie adaptation of an old TV show that doesn’t suck. It’s like Justin Bieber and George Lucas retiring on the same day, promising to not record any more songs or make any more Star Wars spin-offs.

When Hyundai launched the i30 small car on the Australian market, it marked the end of not only the Excel/Accent lineage down under but also the end of the automatic T-shifter. The Accent, a subcompact design available in either a four door sedan or five door hatchback body style, was the last car sold here to feature the venerable (if archaic) T-shaped automatic gear stick.

The T-shifter was born in the 1960s, as American automakers moved away from the steering column mounted automatic and towards a system that reduced complexity and design differentiation between its automatic and manual models. As the ‘80s moved into the ‘90s, automakers - for whatever reason - moved away from the T-shift and toward the semi-ubiquitous, upright “drumstick” shifter.

It seems that the T-shifter is back, at least for one car. The new Audi A8’s ergonomically friendly, chunky automatic gear shift has that distinct T-shaped that many of knew and loved from the pre-‘90s. Some bloggers believe that the automotive behemoth’s unique choice of shifter will influence other carmakers to return to the classic T. Personally, I’m not convinced. Feel free to leave your comments below if you disagree, or have some fond T-shifter memories to share.

If you're a petrol head and live in or are considering a trip to England, you may want to make plans to visit Bentley's headquarters in Crewe and check out a new design exhibition called "An Unbroken Line", which offers a rare glimpse inside the company's usually secret studios.

Furthermore, the exhibition also captures key moments of the company’s lineage with signature characteristics that define a Bentley to this day such as the positioning of the headlights, the use of inverted needles on the dashboard and the pronounced ‘powerlines’ that sweep down the flanks of the car.

Dirk van Braeckel, Bentley’s Director of Design and Styling, commented: “What I particularly like about the exhibition is the sheer number and variety of interesting objects we’ve been able to bring together for the very first time, it is quite a collection. It is also fascinating to see just how talented the early Bentley designers really were - the beauty of their concept sketches and sheer precision of their technical drawings still inspires my own team to this day.”

When the Nissan Versa was launched in Australia as the Tiida, many automotive watchers were excited by the prospect of blending Renault’s European flair with Nissan’s Japanese reliability. “Here,” they said, “Is a car that’ll please everyone.”

What they got was a narrow-bodied subcompact with so-so styling, a plasticy dashboard, a shocking lack of equipment and an overinflated price tag. Not to mention Kim Cattrall in the TV spots. If this sounds strangely familiar to our older readers, you’re right on the money. Twenty-three years before the crossbred Tiida hit Australian shores, another mongrel was being birthed in Europe.

It was 1983, and Alfa Romeo had just launched the Arna, an acronym for “Alfa Romeo Nissan Autoveicoli”. The Arna was essentially a N12 series Nissan Pulsar / Cherry with the engine, transmission and front suspension from Alfa’s popular if rust-prone Alfasud. Built in Alfa’s new Pratola Serra factory near Naples, the Arna had the mechanical reliability of the Alfasud and all the style and grace of the Cherry.

In other words, it was a dog.

Although it was available with either of Alfa’s 1.2L or 1.5L flat-four boxer engines, the fact remains that it was a dull Japanese hatchback built by the same uncaring, unionized Italian labour force that had built the Alfasud. In one final irony, the Arna was deported exported to Japan as the Nissan Pulsar Milano, probably giving the Japanese peoples their first (and last) taste of ‘80s Italian engineering.

The Arna died a quiet death in 1987, replaced with the Pininfarina-designed Alfa Romeo 33. The 33 was by no means a great car, though after the Arna, many Alfaistas would have welcomed an yearly rail pass with open arms. Nissan continued to sell the Cherry / Pulsar in Europe, though never met great success in Europe’s highly competitive subcompact car market until the launch of the K11 Micra in 1992. For both manufacturers, the Arna was a miserable failure, remembered only by auto watchers such as yours truly.